Try to balance the levels between instruments with faders and get the mix as close as you can. If you don’t know the first thing about EQ (the shorthand of “equalization,”) this one’s for you.Ī good starting point to decide when to use an eq when mixing is to turn all the eq off. Notice how the reverb extends and elongates notes. What words do you use to describe what you hear? Bright? Full? Harsh? Smooth?Īctive listening helps us to define our own vocabulary in music production. As this article takes you on a somewhat technical journey through EQ concepts and terminology, referring back to this listening experience will ultimately let you make good use of the information that follows. Listen to how the bass hits you in your gut, and to how the cymbals draw your attention from one side to another. I had no idea what an EQ did, so I sort of figured it out by feel: I’d move a knob, look at the corresponding frequency analyzer, listen with my ears, and by and by, I got the hang of it.īefore we learn what EQ is and what an EQ can do for you in your mixes, take a moment and play some music and listen to how it sounds. In the beginning, there was me, my DAW (Logic), and an EQ.
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